Nails In The Iron Casket (© Daniel Lee)
Page 1 Time minus five minutes 'til drop," the voice
of the flight chief echoes over the loud speaker as the flight crews herd us
like cattle into the drop ships. I cling to my rifle as they bring the
restraints down over my shoulders, waist and chest. No matter how many times
we do this, no matter how often we drop and I manage to come back with my skin intact
it never gets any easier. Sure, the brass will lean back in their comfy office
chairs far from the fighting, far from the fear and uncertainty of the Iron
Casket and feed the media a line. They say it becomes routine to us, second
nature like swimming or riding a bike. There's nothing natural about free
falling into a planet's atmosphere like a manned comet, listening to the ship
moan and creak and all the while wondering if she'll hold together until
landing or if she'll explode in the ionosphere. The restraints clamp tight against my legs and
ankles. Even through the armor and the padding they still manage to sting when
they lock you in place. The flight crew makes a final, half-assed assessment
of their work, offers an equally indifferent salute and scramble of the ship
and out of the launch bay before they're sealed in with us. So what if they
made a mistake, missed something important that we needed to survive? You
think they care? After all, dead men tell no tales. "Time minus four minutes," the chief
announces as the airlock outside hisses shut. We still have the launch lights
and the overhead glow but that will change when the door seals. The blast
shield snaps up suddenly with a loud and thunderous clang; first nail in the
coffin. Despite what the best researchers and recruiters tell you, this thing
is nothing but a pressure propelled body box. Thirteen men strapped into a led
case and shot like ammo at some godforsaken world and if five of us survive the
landing they call it a "success." I'll be damned but what the thing
doesn't resemble a cross between bullet and box. Round tipped nose and slightly curved fins to
help with the aerodynamics and sharp contures to aide the drag and stop the
airflow make it about the ugliest, meanest looking way to travel. Some guys
call her the Crew Coffin or the Iron Casket and they seem to be about right.
The ship and her contents are completely disposable, so much so that if you
bite the dust on landing they strip your gear and leave you walled up in that
tomb forever. Sure, there might be a higher survivability if they used VTOL's
or thruster controlled hoppers to takes us back and forth but then they have to
price fuel, crew training and repairs when it's so much cheaper to just pop us
like the cork out of a champagne bottle and let nature take it's course. They
pressurize the launch bay to a certain PSI (what it is I'm terrified to know)
then they slam back the launch door and eject us into the void. It works the
same way as explosive decompression only it's safer because it's
"planned." "Time minus three minutes," says the
A.I. in her semi-sweet, seductress voice as the screw tightens the door and
seals us in our tomb. They use her when the darkness comes to keep the new
recruits calm. A lot of guys go space happy when the lights go out if they
don't hear something soothing. She sounds like a mother or a wife or that
special lady they met on shore leave except for the fact that she's only code
and circuit instead of flesh and bone. She gives the greener boys a sense of
hope, that maybe they've got someone waiting up here for them when they come
back. To the rest of us she's a Siren, distracting us as the rocks rise fast
off our bow. The air pressure's building now, you can hear it whistling all
around the hull. Galloway is sitting across from me; I can see him using the
thermal cam in my helmet. Nice enough kid but he's antsy, nervous; if he
doesn't let that cybernetic hussy calm him down he'll never make it through
this alive. Even through the armor you can tell when a man's shaking. BANG! and in goes the second nail as the
pressure in the ship's cabin is purged and the clamps locked down on the outer
hatch. It makes you jump to hear that sound, to watch the light dwindle away
and shadow envelope you. I normally don't leave the thermal lenses on but I
had to check on Galloway. I punch the control at my hip and the darkness,
sweet and cold washes it all away. Now I drift in that perfect limbo, the
half-life between true consciousness and the end of all existence. "Time minus two minutes," she says as
the gases outside the casket grow thicker and heavier. Pressure's gone up, a
few more seconds and they'll be ready to launch. That's how they've managed to
keep these blasted things in service all these years; so much cheaper to use
pressure and a sniper's aim to deposit troops on some forsaken planet in the
backwaters of nowhere than to waste fuel and training on anything else. Why
piss away funding when a led box and a blast door are just as efficient? With
all the same effect's as rupturing the hull we go flying at three gravities
from the belly of the ship and into orbit. By the time we start our entry
we're pushing five G's and you can hear the guy next to you screaming his head
off as he has a brain hemorrhage from the speed and force. [ Continue to page 2 ] |